A Teacher is a wonderful film that will surely spark much discussion and debate from a variety of perspectives.
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The film moves with at a very measured pace as Diana’s relationship with Eric (Will Brittain) - a brash, confident jock-type - devolves from an idyllic secret life into a dangerous situation with more weight than either participant cares to acknowledge. Fidell’s script doesn’t judge or condone what Diana is doing any judgements about her character come from the audience who attribute their own morals to her actions. Writer/director Hannah Fidell’s understated film follows Diana (Lindsay Burge), a high school English teacher, who is having a very sexually charged relationship with one of her students. Though he is unable to move without assistance, his mind functions perfectly and this arrangement has allowed him to solve some of the most dizzying puzzles of the universe.įilms like A Teacher are the reason festivals like SXSW exist. Watching the film, you realize that Hawking does not consider his physical restrictions a handicap.
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The film, directed by Stephen Finnigan, is narrated by Hawking himself and tells the story of his life from his point of view: from his early days growing up in a home full of intellectuals to his wild days at college to the slow realization that he developed the degenerative disease ALS. Hawking’s work has been integral to the study of the universe since his days at Oxford University. The next film I saw was a documentary called Hawking about physicist Stephen Hawking, the man who proved the Big Bang and is considered the smartest person living today. Overall, though, the film is quite enjoyable even if Whedon has to rely on physical comedy in the anticipation of mass audiences being unable to comprehend Shakespeare’s verbal wit. So many of Whedon’s usual cadre of actors are present that, at times, it is distracting to play Spot the Dollhouse/ Firefly alum. Stark black and white cinematography echoes the stubbornness of the film’s leads Beatrice (Amy Acker) and Benedick (Alexis Denisof). Shot in just 12 days in his own home, Whedon gathered some of his most reliable collaborators from the so-called Whedonverse to tackle the Bard’s most forward-thinking and entertaining comedy.
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After directing two of the best and most entertaining films of 2012 ( The Avengers and The Cabin in the Woods), Whedon has unveiled his super secret adaptation of William Shakespeare’s Much Ado About Nothing at SXSW 2013. For a man who has cemented his status as a geek god as well as a capable Hollywood director, Whedon is ready to do anything except rest on his laurels. If South By Southwest has taught us anything, it’s that this is Joss Whedon’s world and we’re just lucky enough to be living in it.